Category: Songs

Songs: Explore a growing collection of classic and modern bluegrass songs. Find chords, lyrics, and tips to help you play your favorite tunes, whether you’re just starting out or looking to expand your song library.

  • Hot Corn Cold Corn

    Hot Corn Cold Corn is a standard bluegrass tune.

    History

    Hot Corn, Cold Corn is a traditional American folk song. The original author is unknown.

    Key signature

    Hot Corn, Cold Corn is generally played in the key of G Major

    Alternate keys include A Major and D Major.

    Melody

    Here is the basic melody of Hot Corn, Cold Corn, as written in the key of G Major:

    Hot Corn Cold Corn Melody - Notes and Chords - PickinBluegrass

    Sheet music

    Here is a free PDF of the sheet music for a basic version of the Hot Corn, Cold Corn melody:

    Hot Corn, Cold Corn (G Major) from PickinBluegrassDownload

    Chord progression

    There are two chords in Hot Corn, Cold Corn.

    Hot Corn, Cold Corn has a 1 – 5 chord progression.

    Chords

    Here are the chords to Hot Corn, Cold Corn when the tune is played in G Major:

    G  (Hot corn, cold corn, bring along a demijohn)

    D  (Hot corn, cold corn, bring along a demijohn)

    G  (Hot corn, cold corn, bring along a demijohn)

    D  (Fare thee well, Uncle Bill. See you in the morning)

    G  (Yes, Sir)

    Lyrics

    Upstairs, downstairs, out in the kitchen,

    Upstairs, downstairs, out in the kitchen,

    Upstairs, downstairs, out in the kitchen,

    See Uncle Bill just a reelin’ and a pitchin’,

    Yes Sir.

    Chorus:

    Hot corn, cold corn, bring along a demijohn,

    Hot corn, cold corn, bring along a demijohn,

    Hot corn, cold corn, bring along a demijohn,

    Fare thee well, Uncle Bill. See you in the mornin’,

    Yes Sir.

    Old Aunt Peggy, won’t you fill them up again,

    Old Aunt Peggy, won’t you fill them up again,

    Old Aunt Peggy, won’t you fill them up again,

    Ain’t had a drink since Lord knows when,

    Yes Sir.

    (Chorus)

    Yonder comes the preacher and the children are a crying,

    Yonder comes the preacher and the children are a crying,

    Yonder comes the preacher and the children are a crying, 

    Chickens are a runnin’ and the toenails are a flyin’,

    Yes Sir.

    (Chorus)

    All I need to keep me happy

    Is two little boys to call me Pappy

    One named Paul and one named Davy

    One likes ham and the other loves gravy,

    Yes Sir.

    (Chorus)

    Preachers in the pulpit taking in the money,

    Children in the beehive taking in the honey,

    Old Aunt Peggy went and sold the farm,

    Another drink of whiskey can’t do me any harm,

    Yes Sir.

    (Chorus)

    Saw Uncle Gary with Long Tall Sally,

    Along came Nancy, Sally jumped back in the alley,

    Long Tall Sally, she’s built for speed,

    But Nancy’s got everything that old Gary needs,

    Yes Sir.

    (Chorus)

    I had a little dog, and his name was Ned,

    He ran those chickens till he fell dead,

    He got choked on old cornbread,

    Sure am sorry that dog is dead,

    Yes Sir.

    Videos

    Here are some fantastic videos featuring the song Hot Corn, Cold Corn:

    Robert Earl Keen plays Hot Corn, Cold Corn

    Dave Rawlings Machine plays Hot Corn, Cold Corn

    String Bean & The Osborne Brothers play Hot Corn, Cold Corn


    Hot Corn, Cold Corn
    Hot Corn, Cold Corn (1)
  • Long Journey Home

    Let’s learn the song Long Journey Home!

    Long Journey Home

    Long Journey Home is a traditional American folk song. The original author is unknown.

    Long Journey Home is generally considered a standard bluegrass tune

    Key signature

    Long Journey Home is generally played in the key of G Major

    Alternate keys include A Major and Bb Major.

    Melody

    Here is the basic melody of Long Journey Home, as written in the key of G Major:

    Chord progression

    There are three chords in Long Journey Home.

    Long Journey Home has a 1 – 4 – 5 chord progression.

    Here is the chord progression, with two digits per bar of melody:

    1 1 1 1
    1 1 4 1
    1 1 1 1
    5 1 1

    Chords

    Here are the chords for Long Journey Home in the key of G:

    G (Lost all my money but a two dollar bill)

    G (Two dollar bill boys)  C (two dollar)  G  (bill)

    G (Lost all my money but a two dollar bill)

    G (I’m on my)  D (long journey)  G  (home)

    Lyrics

    There’s black smoke a’ rising and it surely is a train,

    Surely is a train, boys, surely is a train.

    There’s black smoke a’ rising and it surely is a train,

    I’m on my long journey home.

    Chorus:

    Lost all my money but a two dollar bill,

    Two dollar bill boys, two dollar bill.

    Lost all my money but a two dollar bill,

    I’m on my long journey home.

    Cloudy in the East, and it looks like some rain,

    Looks like some rain, boys, it looks like some rain.

    Cloudy in the East, and it looks like some rain,

    I’m on my long journey home.

    (Chorus)

    There’s a little girl a’ waiting, and she’s on down the line,

    On down the line, boys, on down the line.

    There’s a little girl a’ waiting, and she’s on down the line,

    I’m on my long journey home.

    (Chorus)

    Homesick and lonesome, and I’m feeling kinda blue,

    Feeling kinda blue, boys, feeling kinda blue.

    Homesick and lonesome, and I’m feeling kinda blue,

    I’m on my long journey home.

    (Chorus)

    It’s dark and a’ raining, and I want to go home,

    Want to go home, boys, I want to go home.

    It’s dark and a’ raining, and I want to go home,

    I’m on my long journey home

    Videos

    Here are some fun video recordings of this song.

    Billy Strings and his Dad play Long Journey Home

    Bill Monroe & Doc Watson play Long Journey Home

    Michael Cleveland & Flamekeeper play Long Journey Home


    Long Journey Home
  • Back Up and Push

    Let’s have a look at the fiddle tune, Back Up and Push!

    Back Up and Push

    Back Up and Push is a standard bluegrass tune. Its melody likely comes from the ragtime song “Creole Belles” by Lampe, J. Bodewalt, published in 1900.

    This song is generally led by the fiddle or mandolin. Back Up and Push is most commonly played as an instrumental, but was performed with lyrics by June Carter. Rumor is that the seldom-sung lyrics for this song were written by Raymond McLain of the McLain Family Band in the 1950s-60s.

    Key signature

    Back Up and Push is generally played in the key of C Major

    Melody

    Here is the basic melody of Back Up and Push, as written in the key of C Major:

    Chord progression

    There are three chords in Back Up and Push.

    Back Up and Push has a 4 – 1 – 5 chord progression. The chord progression is unique because it starts on the 4 rather than the 1.

    Here is the chord progression, with one digit per bar of melody:

    4 4 1 1
    5 5 1 1 
    4 4 1 1 
    5 5 1 1 

    Chords

    Here are the chords for Back Up and Push in the key of C:

    F C  G C

    F C  G C

    Lyrics

    Lyrics are seldom sung for this tune, but here they are, just in case:

    Did you ever wonder about the riddle
    What kind of spirit lives in a fiddle
    Well, it’s old Satan, right there a’ waitin’
    Or are you tuned with the Angel band

    Chorus:

    Well, you back up and push, back up and push
    Back off of sin and let Glory in
    You can’t go wrong singing this song
    Back up and push away

    If you let the devil play on your senses
    Prepare to suffer the consequences
    The foolish measure of the worldly pleasure
    Can only drag you to the roaring fire

    Videos

    Here are some hot takes on this song

    Michael Cleveland & Pete Wernick play Back Up and Push

    Mile Twelve plays Back Up and Push

    Back Up and Push Hotel Jam at SPBGMA 2023


    Back up and push
  • Cluck Old Hen

    Let’s learn the song Cluck Old Hen!

    Cluck Old Hen

    Cluck Old Hen is an American Old-Time tune.

    Lyrics

    My old hen is a good old hen,
    She lays eggs for the railroad men.
    Sometimes one, sometimes two,
    She lays egg for the whole darn crew.

    Cluck old hen, cluck and sing,
    Ain’t laid an egg since way last spring.
    Cluck old hen, cluck and squall,
    Ain’t laid an egg since way last fall.

    Cluck old hen, cluck when I tell you,
    Cluck old hen, or I’m gonna sell you.
    Last time she cackled, cackled in the lot,
    Next time she cackles, be cacklin’ in the pot.

    I had an old hen, she had a wooden leg,
    Best old hen that never laid an egg.
    Laid more eggs than any hen around the barn,
    Another drink of whiskey wouldn’t do you any harm.

    My old hen made a great big fuss,
    Wake up mama, and it’s making her cuss.
    Peck and squall, cackle and strut,
    I think everybody hates her guts.

    My old hen’s a mean old hen,
    Keep her locked in a barbwire pen.
    Lost me work, cost me corn,
    Scratching at dirt the whole day long.

    My old hen, she won’t do,
    She lays eggs and taters too.
    Sometimes nine, sometimes ten,
    That’s enough eggs for the railroad men.

  • Say Darling Say

    Let’s look at the old-time tune Say Darling Say (Say, Darlin’, Say).

    Say Darling Say

    Say Darling Say is an American Appalachian Old-Time version of the traditional children’s lullaby Hush Little Baby (Don’t Say A Word). The song was first popularized by Earnest “Pop” Stoneman & The Sweet Brothers.

    Key Signature

    Say Darlin’ Say is most commonly played in the key of D Major. Alternate keys include A Major.

    Lyrics

    Say, little darling, won’t you marry me,
    Live in a holler ‘neath the old oak tree,
    Say, darling, say.
    ‘Neath the old oak tree, we’ll make our home,
    Nevermore this world to roam,
    Say, darling, say.

    Say, little darling, if you were mine,
    You wouldn’t do nothing but starch and iron,
    Say, darling, say.
    Starch and iron would be your trade,
    I’d get drunk and lay in the shade,
    Say, darling, say.

    Say, little darling, won’t you marry me,
    Live in a holler ‘neath the old oak tree,
    Say, darling, say.
    Live in the holler ‘neath the old oak tree,
    Children bouncing on daddy’s knee,
    Say, darling, say.

    Hush, little darling, don’t say a word,
    Papa’s gonna buy you a mockingbird,
    Say, darling, say.
    If that mockingbird don’t sing,
    I’m gonna buy you a diamond ring,
    Say, darling, say.

    If that diamond ring is brass,
    Mama’s gonna buy you a looking glass,
    Say, darling, say.
    If that looking glass gets broke,
    I’m gonna buy you a billy goat,
    Say, darling, say.

    If that billy goat won’t pull,
    Papa’s gonna buy you a cart and bull,
    Say, darling, say.
    If that cart and bull falls over,
    I’m gonna buy you a dog named Rover,
    Say, darling, say.

    If that dog named Rover don’t bark,
    Mama’s gonna buy you a horse and cart,
    Say, darling, say.
    If that horse and cart fall down,
    You’re still the sweetest little baby in town,
    Say, darling, say.

  • Wayfaring Stranger

    Let’s learn the tune Wayfaring Stranger!

    Wayfaring Stranger

    Wayfaring Stranger is a traditional American folk hymn.

    Key signature

    Wayfaring Stranger is most commonly played in the key of A minor. It is also commonly played in D minor and E minor, depending on the instruments used and the vocal range of the lead singer.

    Melody

    Here is the basic melody for the song, Wayfaring Stranger, written in A minor:

    wayfaring stranger melody pickin bluegrass

    Lyrics

    I am a poor wayfaring stranger,
    Traveling through this world of woe,
    There is no sickness, toil, or danger,
    In that bright land to which I go.

    I’m going there to see my father,
    And all my loved ones who’ve gone on,
    I’m just going over Jordan,
    I’m just going over home.

    I know dark clouds will gather o’er me,
    I know my pathway’s rough and steep,
    But golden fields lie out before me,
    Where weary eyes no more shall weep.

    I’m going there to see my mother,
    She said she’d meet me when I come,
    So I’m just going over Jordan,
    I’m just going over home.

    I’ll soon be free from every trial,
    This form will rest beneath the sun,
    I’ll drop the cross of self-denial,
    And enter in my home with God.

    I’m going there to see my Savior,
    Who shed for me his precious blood,
    So I’m just going over Jordan,
    I’m just going over home.

    I’m just going over Jordan,
    I’m just going over home.

  • Lazy John

    Let’s learn the song, Lazy John!

    Lazy John

    Lazy John is an old bluegrass standard. It’s certainly not the most common on the list, but it does get played now and then.

    Key signature

    The song Lazy John is commonly played in the key of G Major and also often played in A Major.

    Lyrics

    Work all week in the noonday sun,
    Fifteen cents when Saturday comes,
    Going to a dance to have some fun,
    Why don’t you get away, lazy John.

    Chorus:
    Lazy John, lazy John,
    Why don’t you get your day’s work all done,
    You’re in the shade, and I’m in the sun,
    Why don’t you get away, lazy John.

    My gal lives at the end of the road,
    Her eyes are crossed, and her legs are bowed,
    But we sure have a lot of fun,
    Why don’t you get away, lazy John.

    (Chorus)

    Going to a dance Saturday night,
    Ain’t coming home til the bald daylight,
    Then I’ll take my girl back home,
    Why don’t you get away, lazy John.

    (Chorus)

  • Rove Riley Rove

    Let’s learn the song Rove Riley Rove!

    Rove Riley Rove

    Rove Riley Rove is a traditional American Appalachian tune.

    Lyrics

    I went up on a mountain,
    Gave my horn a blow,
    Thought I hear my true love say,
    Yonder comes by beau.

    Chorus:
    Rove Riley, rove,
    Rove Riley, rove,
    Rove Riley, poor boy,
    Ain’t got nowhere to go.

    Mama give me meat,
    Mother give me bread,
    Pretty girl, give me one sweet kiss,
    Like to done killed me dead.

    (Chorus)

    Went up on a mountain,
    Done stripped me a load of cane,
    Make me a barrel of molasses,
    Sweet Miss Liza Jane.

    (Chorus)

    Daddy had a great big house,
    A hundred stories high,
    Every story in that house,
    Was filled with chicken pie.

  • The Blackest Crow

    Let’s learn the song The Blackest Crow!

    The Blackest Crow

    The Blackest Crow is an American Civil War-era tune.

    Lyrics

    As time draws near my dearest dear, when you and I must part,
    How little you know of the grief and woe in my poor aching heart.
    Each night I suffer for your sake, you’re the girl I love so dear,
    I wish that I was going with you or you were staying here.

    I wish my breast were made of glass wherein you might behold,
    Upon my heart, your name lies wrote in letters made of gold.
    In letters made of gold, my love, believe me when I say,
    You are the one that I will adore until my dying day.

    The blackest crow that ever flew would surely turn to white,
    If ever I prove false to you, bright day will turn to night.
    Bright day will turn to night, my love, the elements will mourn,
    If ever I prove false to you, the seas will rage and burn.

    And when you’re on some distant shore, think of your absent friend,
    And when the wind blows high and clear, a light to me pray send.
    And when the wind blows high and clear, pray send your love to me,
    That I might know by your hand light, how time has gone with thee.

  • Golden Slippers

    Let’s learn the tune Golden Slippers!

    Golden Slippers

    Golden Slippers is a bluegrass standard song. James A. Bland wrote Golden Slippers as “Oh, Dem Golden Slippers” in around 1879.

    This song was originally called Dem Golden Slippers (or Oh, Dem Golden Slippers), and it was written as a parody of a spiritual song called Golden Slippers. The parody became more popular than the original spiritual and is still played today, generally under the shorter name, Golden Slippers.

    Lyrics

    Oh, my golden slippers are laid away,
    Cause I don’t spect to were’em till my wedding day,
    And my long tailed coat that I love so well,
    I will wear up in the chariot in the morn.
    And my long white robe that I bought last June,
    I’m gonna get changed cause it fits too soon.
    And the old grey horse that I used to drive,
    I will hitch him to the chariot in the morn.

    Chorus:
    Oh, them golden slippers,
    Oh, them golden slippers,
    Golden slippers I’m gonna wear
    Because they look so neat.
    Oh, them golden slippers,
    Oh, them golden slippers,
    Golden slippers I’m a gonna wear
    To walk the golden street.

    Oh, my old banjo hangs on the wall,
    Cause it ain’t been turned since way last fall,
    But the folks all say we’ll have a good time,
    When we ride up in the chariot in the morn.
    There’s old Brother Ben and his sister Luce,
    They will telegraph the news to Uncle Bacco Juice,
    What a great camp meeting there will be that day,
    When we ride up in the chariot in the morn.

    (Chorus)

    So, it’s goodbye, children, I will have to go,
    Where the rain don’t fall, and the wind don’t blow,
    And your ulster coats, why, you will not need,
    When you ride up in the chariot in the morn.
    But your golden slippers must be nice and clean,
    And your age must be just sweet sixteen,
    And your white kid gloves you will have to wear,
    When you ride up in the chariot in the morn.

    (Chorus)

  • I’ll Fly Away

    I’ll Fly Away is a standard bluegrass tune. 

    Composer

    This gospel hymn was originally written in 1929 by Albert E. Brumley and published in 1932. Brumley was inducted into the Gospel Hall of Fame in 1972 – the year the Hall of Fame was established.

    Key signature

    I’ll Fly Away is generally played in the key of G Major

    Alternate keys include A Major and Bb Major.

    Melody

    Here is the basic melody of I’ll Fly Away, as written in the key of G Major:

    Chord progression

    There are three chords in I’ll Fly Away.

    I’ll Fly Away has a 1 – 4 – 5 chord progression.

    Here is the chord progression, with one digit per bar of melody:

    1 1 1 1
    4 4 1 1
    1 1 1 1
    1 5 1 1

  • Will the Circle be Unbroken

    Will the Circle be Unbroken is a standard bluegrass tune. This folk hymn was originally written in 1907 by Ada R. Habershon and Charles H. Gabriel.

    Key signature

    Will the Circle be Unbroken is generally played in the key of G Major

    Alternate keys include A Major and Bb Major.

    Melody

    Here is the basic melody of Will the Circle be Unbroken, as written in the key of G Major:

    Chord progression

    There are three chords in Will the Circle be Unbroken.

    Will the Circle be Unbroken has a 1 – 4 – 5 chord progression.

    Here is the chord progression, with one digit per bar of melody:

    1 1 1 1
    4 4 1 1
    1 1 1 1
    1 5 1 1

  • White Freightliner Blues

    Let’s learn the song White Freightliner Blues!

    White Freightliner Blues

    White Freightliner Blues is a popular jam tune written by Townes Van Zandt.

    Key Signature

    White Freightliner Blues is commonly played in the key of C Major. Other popular keys for this song include E Major.

    Chorus:
    I’m goin’ out on the highway, listen to them big trucks whine.
    I’m goin’ out on the highway, listen to them big trucks whine.
    White freight liner, won’t you steal away my mind?

    Ah, New Mexico ain’t bad, Lord, the people there, they treat you kind.
    h, New Mexico ain’t bad, Lord, the people there, they treat you kind.
    White freight liner, won’t you steal away my mind?

    (Chorus)

    Well, it’s bad news from Houston, half my friends are dying.
    Well, it’s bad news from Houston, half my friends are dying.
    White freight liner, won’t you steal away my mind?
    White freight liner, won’t you steal away my mind?

    (Chorus)

    Ah, Lord, I’m gonna ramble ’til I get back to where I came.
    Ah, Lord, I’m gonna ramble ’til I get back to where I came.
    White freight liner, won’t you steal away my mind?

  • Bluegrass standards

    Bluegrass standards

    Bluegrass standards are the bluegrass songs that form the backbone of any bluegrass picker’s repertoire. These tend to be popular older songs that many people know how to play or have at least heard before.

    Introduction to bluegrass standards

    Bluegrass standards are timeless classics that many players are expected to know, especially for impromptu jam sessions or “pickin’ parties.” 

    Bluegrass standards list

    Here is a list of tunes that are generally considered bluegrass standards:

    1. Foggy Mountain Breakdown
    2. I’ll Fly Away
    3. Long Journey Home
    4. Little Cabin Home on the Hill
    5. Nine Pound Hammer
    6. Blue Ridge Cabin Home
    7. Your Love is Like a Flower
    8. Big Spike Hammer
    9. Old Home Place
    10. Back Up and Push
    11. Big Sciota
    12. Wheel Hoss
    13. Jerusalem Ridge
    14. Red Haired Boy
    15. Cherokee Shuffle
    16. Bill Cheatham
    17. Sally Goodin
    18. Gold Rush
    19. You Are My Sunshine
    20. Cripple Creek
    21. Rocky Top
    22. Shady Grove
    23. I Saw the Light
    24. Man of Constant Sorrow
    25. Billy in the Lowground
    26. Big Rock Candy Mountain
    27. Roustabout
    28. Down to the River to Pray
    29. Whiskey Before Breakfast
    30. Will the Circle Be Unbroken
    31. Salt Creek
    32. Fox on the Run
    33. Blue Moon of Kentucky
    34. In the Pines
    35. Wildwood Flower
    36. Dark Hollow
    37. Hot Corn Cold Corn
    38. Sitting on Top of the World
    39. Keep on the Sunny Side
    40. Old Dangerfield
    41. Blackberry Blossom
    42. Nine Pound Hammer
    43. Old Joe Clark
    44. Footprints in the Snow
    45. Old Home Place
    46. New River Train
    47. Little Maggie
    48. Clinch Mountain Backstep
    49. Uncle Pen
    50. Worried Man Blues
    51. Bury Me Beneath the Willow
    52. Hand Me Down My Walking Cane
    53. Angeline the Baker
    54. I Heard the Bluebirds Sing
    55. White Freightliner Blues
    56. Cluck Old Hen
    57. The Blackest Crow
    58. Wabash Cannonball
    59. Salty Dog Blues
    60. Red Haired Boy
    61. Red Clay Halo
    62. Roll in My Sweet Baby’s Arms
    63. All the Good Times Are Past and Gone
    64. Golden Slippers
    65. Lazy John
    66. Mole in the Ground
    67. Big Mon
    68. Wayfarin’ Stranger
    69. Don’t Let Your Deal go Down
    70. In the Highways
    71. Who’s That Knocking at My Door
    72. Say Darlin Say
    73. Fall on My Knees
    74. Didn’t Leave Nobody But the Baby
    75. Hold Whatcha Got
    76. Why You Been Gone So Long
    77. Skillet Good and Greasy
    78. Oh Mona
    79. There’s More Pretty Girls Than One
    80. Rove Riley Rove
    81. Walls of Time
    82. Soldier’s Joy
    83. Can’t You Hear Me Calling
    84. Grey Eagle
    85. It’s Mighty Dark to Travel
    86. Winter’s Come and Gone
    87. Old Joe Clark
    88. Forked Deer
    89. Temperance Reel
    90. Liberty
    91. Wild Bill Jones
    92. Leather Britches
    93. Big Sandy River

    This list includes traditional songs as well as songs that were composed by important bluegrass musicians and have become standards within the genre. These songs form the core repertoire of many bluegrass musicians.

  • Bluegrass songs

    Bluegrass songs

    Looking for an introduction to bluegrass songs? Bluegrass music, often characterized by its string band ensemble and roots in American folk and country music, has given rise to countless cherished songs.

    Popular bluegrass songs

    Here are 20 of the most well-known and popular bluegrass tunes, along with the names of the artists who helped popularize them.

    “Foggy Mountain Breakdown” – Flatt & Scruggs
    “Man of Constant Sorrow” – Soggy Bottom Boys/Dan Tyminski
    “Blue Moon of Kentucky” – Bill Monroe
    “Rollin’ in My Sweet Baby’s Arms” – Flatt & Scruggs
    “Rocky Top” – Osborne Brothers
    Long Journey Home” – The Stanley Brothers
    “Uncle Pen” – Bill Monroe
    “I’ll Fly Away” – Alison Krauss and Gillian Welch
    “Fox on the Run” – The Country Gentlemen
    “In the Pines” – Bill Monroe
    “Old Home Place” – The Dillards
    “Wagon Wheel” – Old Crow Medicine Show
    “Footprints in the Snow” – Bill Monroe
    “Nine Pound Hammer” – Tony Rice
    “Gold Rush” – Tony Rice
    “Jerusalem Ridge” – Kenny Baker
    “Shady Grove” – Jerry Garcia and David Grisman
    “Will The Circle Be Unbroken” – The Carter Family
    “Wayfaring Stranger” – Various artists, traditional
    “Little Maggie” – The Stanley Brothers

    Bluegrass standards

    Bluegrass standards are timeless classics in the genre that many players are expected to know, especially for impromptu sessions or “pickin’ parties”. Here are 20 songs that are considered bluegrass standards:

    “Foggy Mountain Breakdown” – Earl Scruggs
    “Blue Moon of Kentucky” – Bill Monroe
    “Uncle Pen” – Bill Monroe
    “Roll In My Sweet Baby’s Arms” – Flatt & Scruggs
    “Footprints In The Snow” – Bill Monroe
    “New River Train” – The Monroe Brothers
    “Bury Me Beneath The Willow” – The Carter Family
    “Old Home Place” – The Dillards
    “Salty Dog Blues” – The Morris Brothers
    “Nine Pound Hammer” – Merle Travis
    “Big Mon” – Bill Monroe
    “I Saw the Light” – Hank Williams
    “Will The Circle Be Unbroken” – The Carter Family
    “Gold Rush” – Bill Monroe
    “Cripple Creek” – Traditional, popularized by Earl Scruggs
    “Little Maggie” – The Stanley Brothers
    “Sitting On Top Of The World” – The Mississippi Sheiks, popularized in bluegrass by Bill Monroe
    “Red Haired Boy” – Traditional, popularized in bluegrass by Bill Monroe
    “Salt Creek” – Bill Monroe
    “Wildwood Flower” – The Carter Family

    This list includes traditional songs as well as songs that were composed by important bluegrass musicians and have become standards within the genre. These songs form the core repertoire of many bluegrass musicians.

    Bluegrass hits

    Here are some notable bluegrass songs and renditions:

    “Dust Bowl Children” – Alison Krauss & Union Station
    “Take The Journey” – Molly Tuttle
    “Friend and a Friend” – Molly Tuttle
    “I Am A Man Of Constant Sorrow” – The Soggy Bottom Boys
    “Something About A Train Sound” – Irene Kelley
    “Ain’t No Ash Will Burn” – Della Mae
    “Build Me Up From Bones” – Sarah Jarosz
    “Midnight Train to Memphis” – The Steeldrivers
    “Long Gone” – Pharis & Jason Romero
    “Dear Sister” – Claire Lynch
    “Tell the Ones I Love” – Steep Canyon Rangers
    “Diamond Joe” – Ramblin’ Jack Elliot
    “Kentucky Waltz” – Dale Ann Bradley
    “High on a Mountain” – Del McCoury Band
    “Pretty Polly” – Béla Fleck and Abigail Washburn
    “Nobody’s Love Is Like Mine” – The Earls of Leicester
    “The Traveling Kind” – Emmylou Harris & Rodney Crowell
    “Lawrenceburg” – Special Consensus
    “Thunder Dan” – Sideline
    “If I’d Have Wrote That Song” – Joe Mullins & The Radio Ramblers

    These are a mix of newly written songs, modern covers of classics, and fresh interpretations of bluegrass standards, showcasing the ongoing evolution of the genre.

    Bluegrass crossovers

    “Crossover” tunes are an exciting facet of bluegrass music, allowing musicians to put a unique spin on songs from various genres. Here are 20 songs that have been successfully reimagined by bluegrass artists:

    “Gentle on My Mind” – Originally by John Hartford, covered by many including Alison Krauss and Earl Scruggs.
    “Wagon Wheel” – Originally sketched by Bob Dylan, completed by Old Crow Medicine Show.
    “The Boxer” – Originally by Simon & Garfunkel, bluegrass version by Jerry Douglas (feat. Mumford & Sons and Paul Simon).
    “Amarillo by Morning” – Originally by George Strait, covered by the Old Salt Union.
    “Hotel California” – Originally by The Eagles, covered by The Cat Empire (feat. The Bearded Gypsy Band).
    “I Will Always Love You” – Originally by Dolly Parton, covered by many bluegrass bands, including the bluegrass group The Isaacs.
    “The Sound of Silence” – Originally by Simon & Garfunkel, covered by many, including The Infamous Stringdusters.
    “Blackberry Blossom” – Traditional song reimagined by many in bluegrass, including Sam Bush and Tony Rice.
    “House of the Rising Sun” – Traditional song covered by many bluegrass bands, including Tony Rice.
    “Yesterday” – Originally by The Beatles, covered by the Dillards.
    “Rocket Man” – Originally by Elton John, covered by Iron Horse.
    “Africa” – Originally by Toto, covered by Love Canon.
    “Down With The Shine” – Originally by The Avett Brothers, covered by The Barefoot Movement.
    “Imagine” – Originally by John Lennon, bluegrass version by Happy and Artie Traum.
    “In My Time of Dying” – Traditional Gospel song covered by many bluegrass artists, including Tony Rice.
    “Jolene” – Originally by Dolly Parton, covered by Rhonda Vincent.
    “Ring of Fire” – Originally by Johnny Cash, covered by Earl Scruggs with Tom T. Hall.
    “The Weight” – Originally by The Band, covered by The Stapleton Brothers.
    “Landslide” – Originally by Fleetwood Mac, covered by The Dixie Chicks (and while they’re a country group, the song has also been covered in a bluegrass style by various artists).
    “Comfortably Numb” – Originally by Pink Floyd, covered by Keller & The Keels.

    Remember, these songs have been taken from a wide variety of genres like rock, pop, country, and folk, and have been interpreted by bluegrass artists to suit the unique instrumentation and style of bluegrass music.